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情感的力量在线观看_剧情_樱花动漫

情感的力量

剧情  西德  1983 

主演:Hannelore,Hoger,Alexandra,Kluge,Edgar,M.

导演:Alexander,Kluge

剧情介绍

ThePowerofEmotionexplainsthatemotionisn’ttobeconfusedwithsentimentality.Emotionisancientandmorepowerfulthananyartform.Thefilmlooksatyoungcoupleswhorunintodifficultiesastheytrytotranslatetheirexperiencesofloveintocleardecision-making.Awomanwhohasshotherhusbandprovidesajudgewithapuzzle.Thosewholovecanbringthedeadbacktolifebymeansofco-operation.That’sthefocusoftheopera,"ThePowerPlantofEmotions"andthe"Operaofthe20thCentury"cinema.AlexanderKluge:ThePowerofFeelingWhenIstartedworkingonThePowerofFeeling,Iwasnotinarationalstate.Ididnotsay,IhaveasubjectandnowIwillmakeafilmaboutit.InsteadIwasspellboundandobservedinmydirectsurroundings,forexample,howfeeling求爱ove.Ihavenotreallydealtwiththethemeofmymother’sdeathandthefactthatshewastheonewhotaughtme"howfeeling求爱ove."NorhaveIdealtwithhowshedied.Thatwasanentirepaletteoffeelings:"Allfeelingsbelieveinahappyend,"andeveryonebelievestacitlythattheywillliveforever:Theentirepaletteissomehowoptimistic,apositiveattitudetowardslifehavingbeenputontheagendaaslongasshewasyoung,aslongasherbodyheldout,fromonedaytothenextshecollapsed.Shejustsuddenlycollapsed,likeinanoperawheredisastertakesthestageinthefifthact.ItfeltasifIhadobservedanairraidoradisaster.ThefilmThePowerofFeelingisnotaboutfeelings,butrathertheirorganization:howtheycanbeorganizedbychance,throughoutsidefactors,murder,destiny;howtheyareorganized,howtheyencounterthefortunetheyareseeking.Whatisallthisorganizationoffeelingsabout?Generallyfeelingstendtobeadictatorship.Itisadictatorshipofthemoment.ThestrongfeelingIamhavingrightnowsuppressestheothers.Forthoughtsthiswouldnotbethecase.Onethoughtattractsotherslikeamagnet.Peoplethereforeneedaffirmationbyotherpeopletobesureabouttheirownfeelings(tocounteracttheacquisitionoftheirfeelingsthroughoutsideforces).Throughtheinteractionofmanypeople,forexample,inpublic,thevariousfeelingsalsohaveamagneticattractiontooneanotherjustlikethoughtsdo.Feelingscommunicatethroughtheirmanifestationinpublic.Thecinemaisthepublicseatoffeelingsinthe20thcentury.Theorganizationissetupthusly:Evensadfeelingshaveahappyoutcomeinthecinema.Itisaboutfindingcomfort:Inthe19thcenturytheoperahousewasthehometofeelings.Anoverwhelmingmajorityofoperashadatragicend.Youobservedavictim.Iamconvincedthatthereisamoreadventuresomecombination:Feelingsinboththeoperaandtraditionalcinemaarepowerlessinthefaceofdestiny’求爱ight.Inthe20thcenturyfeelingsbarricadedthemselvesbehindthiscomfort,inthe19thcenturytheyentrenchedthemselvesinthevalidityofthelethalseriousness.

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